In the mid-16th century the Spanish painter Alonso de Narvaez created a portrait of the Virgin of the Rosary. He painted in pigments from the soil, herbs and flowers of the region of modern Colombia, and his canvas was a rough 44" * 49" cloth woven by Indians. The image of Virgin Mary is about a meter high, and stands about a half moon. She wears a white toque, a rose-coloured robe, and a sky blue cape. A rosary hangs from the little finger of her left hand, and she holds a sceptre in her right. She holds the Christ Child cradled in her left arm, and looks toward him. Christ has a little bird tied to his thumb, and a small rosary hangs from his left hand. To the sides of Mary stand Saint Anthony of Padua and Saint Andrew the Apostle, the personal patrons of the colonist and monk who commissioned the work: Don Antonio de Santana and Andrés Jadraque.

In 1562 the portrait was placed in a rustic chapel. It was exposed to the air, the roof leaked, and soon the damage caused by the humidity and the sun completely obscured the image. In 1577 the damaged painting was moved to Chiquinquirá and stored in an unused room. In 1585 Maria Ramos, a pious woman from Seville, cleaned up the little chapel, and hung the faded canvas in it. Though the image was in terrible shape, she loved to sit and contemplate it. On Friday 26 December 1586 the faded, damaged image was suddenly restored. It's colors were bright, the canvas cleaner, the image clear and seemingly brand new. The healing of the image continued as small holes and tears in the canvas self-sealed. It still has traces of its former damage, the figures seem brighter and clearer from a distance than up close. For 300 years the painting hung unprotected. Thousands of objects were touched against the frail cotton cloth by pilgrims. This rought treatment should have destroyed it, but it healed and survives. Pope Pius VII declared Our Lady of Chiquinquirá patroness of Colombia in 1829, and granted a special liturgy. In 1897 a thick glass plate was placed over it to stop the weather and the excesses of the faithful. The image was canonically crowned in 1919, and in 1927 her sanctuary declared a Basilica.

"Changed now perfectly in heart and soon to be changed in body too, he was walking one day near the church of St. Damian, which had nearly fallen to ruin and was abandoned by everyone. Led by the Spirit, he went in and fell down before the crucifix in devout and humble supplication; and smitten by unusual visitations, he found himself other than he had been when he entered. While he was thus affected, something unheard of before happened to him: the painted image of Christ crucified moved its lips and spoke. Calling him by name it said: "Francis, go, repair my house, which, as you see, is falling completely to ruin." Trembling, Francis was not a little amazed and became almost deranged by these words. He prepared himself to obey and gave himself completely to the fulfillment of this command. But since he felt that the change he had undergone was beyond expression, it is becoming that we should be silent about what he could not express. From then on compassion for the crucified was rooted in his holy soul, and, as it can be piously supposed, the stigmata of the venerable passion were deeply imprinted in his heart, though not as yet upon his flesh.

This is the advice that the Lord has given us
Saint Francis and  Br. Bernard.

We will then remain in prayer till the third hour, imploring the Lord to point out to us the way he wishes us to select, and to this intent we will open the Missal three times." And when Bernard answered that he was well pleased with this proposal, they set out together, heard Mass, and after they had remained in prayer till the time fixed, the priest, at the request of St Francis, took up Missal, then, having made the sign of the holy cross, he opened it three times, in the name of our Lord Jesus Christ.The first place which he lit upon was at the answer of Christ to the young man who asked of him the way to perfection: If thou wilt be perfect, go, sell all that thou hast and give to the poor, and come, follow me. The second time he opened at the words which the Saviour addressed to the Apostles when he sent them forth to preach the Word of Truth: Take nothing with you for your journey: neither staff, nor scrip, nor bread, nor money; wishing to teach them thereby to commit the care of their lives to him, and give all their thoughts to the preaching of the Holy Gospel. When the Missal was opened a third time they came upon these words: If any one will come after me, let him deny himself, and take up his cross, and follow me.Then St Francis, turning to Bernard, said: "This is the advice that the Lord has given us; go and do as thou hast heard; and blessed be the Lord Jesus Christ who has pointed out to thee the way of his angelic life."

History  of  the Crucifix.

A table painted by an unknown author of Umbria about a hundred years before Saint Francis contemplated it, is romanic style, with Byzantine or oriental influences.